"Splitting" at Leo Model Gallery
In Splitting, Amanda Russhell Wallace places some of her recent photographs in conversation with the triptych that forms a previous work, Color Blocked. Appropriated nineteenth century images found online form the basis of Color Blocked, and haunt those created in the twenty-first century with traces and residue of language, shape and color associations. Historical permeations within these object encounters rest on and in the verge. Together, the images represent a convergence and divergence between attempts to reconcile past and present acts of home-making.